Film on Feature 

Photojournalism used to be dominated by the medium of film, where the capturing of subjects wasn't guaranteed or actualized until the film development stage and working in the darkroom. This visual montage of film images narrates the environment of the Skytrain and its immediate surroundings on either side on the Stalewasem Bridge, as well as pieces of the photo development process that is becoming a lost practice. What are your thoughts on using film photography for journalism in the modern world?

Carson resides, works, studies, and creates on the unceded, traditional, and ancestral territory of the q̓ic̓əy̓ (Katzie), q̓ʷɑ:n̓ƛ̓ən̓ (Kwantlen), sǝmyámǝ (Semiahmoo), kʷikʷəƛ̓ əm (Kwikwetlem), and sc̓əwaθən məsteyəxʷ (Tsawwassen) First Nations. 

He is currently in year four of five in completing his Bachelor of Journalism with a Minor in Geography as well as his Diploma of Fine Arts at Kwantlen Polytechnic University in Surrey BC, after transferring from Emily Carr University of Art + Design in Vancouver BC and completing their Foundation Year Program. 

Carson is ultimately working towards the dual M.L.I.S. (Masters of Library and Information Studies)/M.A.S. (Masters of Archival Studies) program at the University of British Columbia. 

He is a writer, researcher, and interdisciplinary artist. Carson's primary areas of focus include multimedia storytelling, data interpretation, documenting lived experiences of social injustice and their solutions, structural censorship and oppression, as well as environmental factors on behaviour, nature, and culture. His artistic inspiration is pulled from themes of queer imagery, community, geographic space, architecture, censorship, and abstraction.